Storm Coming

by Donald Riggs

People hear about my daily sonnet
and say, What discipline! but when I try
to direct it in a particular
way, my hand, a dog straining at the leash,

yanks me in directions I never thought
to take, following the inscrutable
canine purposes that his nose directs,
other dogs having previously left
their own complex chemical messages,

or perhaps a burrow an alley cat
abandoned as soon as the conflicted
entity of dog and human tethered
together with divergent purposes
sent out signals of a front moving in.  

The moon was just a dim smudge in the clouds

by Donald Riggs

is the sentence I wrote when taking notes
in preparation for writing novels
just like Walt Whitman and some young woman
who spoke to us at school about how she

generated her prose, driving her car
with a pencil and pad of paper on
the passenger seat, whenever she thought
of a sentence, a phrase, a description

then later cut them into separate
scraps so she could arrange them however
they fit together, writing connections

between them.  I thought I’d do the same thing
but this sentence was all I wound up with:
“The moon was just a dim smudge in the clouds.”

Fascination

by Donald Riggs

Even when young, irregularities
in the wallpaper fascinated him,
and he patiently peeled away the scrim
of Alice in Wonderland from Noah's
Ark, from a layer of solid green paint.
All this at night, on his side, in the crib
where each slat held him, an external rib
in the cage. The world beyond it was faint
with distance. Irregularities years
later still fascinate him; for decades
he has been trying to see if the wall
exists, under and beyond the brocade
the wallpaper has
evolved into, jail
with rococo ornaments on the bars. 

Sweetness and Light

by David R. Slavitt

Nut clusters, caramels, jujubes,
and icing squeezed from pastry tubes
in neat iterations of rosettes
on confectioners’ work tables: it gets
no better than this, or even as good.
Our mouths water before such food,
and, during, enjoy, but then, quite soon,
it cloys, as we reach our limit, where
such goodness is too much to bear,
denying as soon as it asserts
in a lesson that chastens us and hurts.

Synaptic Traces

by Lee Slonimsky

The solstice comes at 2 AM.  Clouds cloak
starlight so well the owls can barely see;
no moon.  Out in the winter woods you work
at accessing the mind of one oak tree,
in darkness dense enough to conjure up
an atmosphere of increased intimacy.

But silence still from bark, despite the hope
oak thoughts might stir at how astronomy
reflects perfection: how celestial
exactitude leads to our random life.

Yet branches will not whisper; bark is rough,
unspoken.  Woods: unutterably still.

At 2 AM a gust of wind; branch-creak;
as if the woods, at last, herald the hour.
You run your hands up and down a trunk; you seek
synaptic traces, signs of tree mind-power.

Pythagoras Consults with the Swifts

by Lee Slonimsky

Tree’s lean is forty-five degrees, as though
it worships slant more than the bright noon sun,
or maybe it just loves geometry. 

No matter storms, how hard their fierce gales blow,
its angle’s fixed; and nothing he knows can
explain such daring, yet stability.

He’s looked at roots, trunk width, the shapes of leaves,
and even asked the swifts who congregate
on branch-diagonals.  They cannot say
just why a tree has grown this other way.

 Quite stubbornly, he tries to calculate
some formula for slant; math’s what he loves.
This oak must love it too, they all decide—
hypotenuse—the source of leafy pride!

The Economics of Pythagoras’s Academy

by Lee Slonimsky

He finds geometry in woods so easily:
triangular tree crowns, branch-trapezoids,
trunk perpendiculars, bird trills in threes—
fours—fives;

                         the soaring red-tailed hawks that lord
it over songbirds, specialize in arcs,
parabolas, ellipses.  How hawks trace
the formulae he teaches, dawn to dark.

He might as well move to this math-filled place,
continue his academy for free;
use birds as tutors, trees to diagram;
expand beyond the high nobility
to all Crotone’s pupils.  Crises loom
if so few study nature, science, math.

 Abundant learning, on this wooded path.

The Ambivalence of Love

by Lee Slonimsky

A narrow street in Ghent, Belgium.  Dark blue;
late dusk.  Lit windows are small golden squares,
and you slouch in an entranceway. 

                                                                So true,
that this may be the end.  And please, no tears.
You hear a rustling, flights above; perhaps
she’s coming down now: this is it!  Beware,
you tell yourself, of being weak; no hopes
remain of reconciling. 

                                          Stare and stare,
but she’s not there.  You must have heard a breeze.

So emptiness replaces stress.  The sky
goes almost black; more windows come ablaze.
The minutes drag: go up the stairs?  You sigh
at fate’s perversity—you need your pride—
and leave. 

                    Night drowns you in its poignant tide.