The Sheela-na-Gig at Llandrindod Wells

by Sarah Kennedy

In her glass coffin,
                                                she’s surrounded—

museum walls,
                                    a garden outside—

with copper beeches,
                                                            a sweet little

pool. Not to mention
                                                the dé rigueur

red roses.
                        And the voyeurs gathered

around her shrine,
                                    her vault, and there she

still stands, with her
                                                            grim grin, all teeth. She’s

staring beyond us.
                                                Mica lights up

her cloudy shale skin,
                                                            and there’s a cross

graffitied on her
                                    sinister side.

She’s a marked woman,
                                                she’s bone, she’s hair,

scored
                        top and bottom, from rib to rib.

Saved at last—
                                                            (Buried alive! Naked

woman found
                                                beneath the church doorsill!),

she’s not our idea
                                                            of beauty, her

fingers probing inside
                                                herself, her

skull-cap head,
                                    her wrinkles. Her sisters

hang out under sacred eaves,
                                                            laughing

at the cemeteries
                                    just outside,

or squat under the rims
                                                of bishops’

tombs. Her lips open,
                                                            she has something

to say, something to show—
                                                she is a

translation,
                                                                        she is an offering:

entombed, enshrined
                                                (mother, murderer

mirror). at the end,
                                                            we all come here.

A Passport to the Old Country

by Cezarija Abartis

For Serena, it was like a radio station drifting in and out over another channel – voices disappeared under the dissonance, and the piano keys turned into hammering. She wanted to hear the song.

Serena rubbed her brow. Her mother came from Yugoslavia, a country that did not exist anymore. The memories should be in the frontal lobe of the cerebrum, the part that evolved most recently. But the memories were evaporating. Outside her window, the bronze oak leaves dropped to the ground; in another week or two, the trees would be bare.

She had used up all her serotonin, she thought, all her adrenaline, during the bout of bronchitis, and now just tiredness was left – not enough energy to pull her out of the sickness. Perhaps she would succumb, perhaps this was the end. Her mother had always told her to be strong and bold.

Where was Calvin? Why wasn’t he here to be sympathetic, at least? She coughed. She clutched her cardigan tight under her throat because she had a chill. She looked out the window, at the crisp leaves on the ground. But he died three years ago. No, no, that was the worst.

The lights turned on next door. There was still daylight, and the Johnsons shone all their lights as if it were a wedding celebration. A penny saved is a penny earned.  At her wedding to Calvin, she walked down the aisle beside her beaming father – he passed away decades ago. Now, out in the hall, her father’s face smiling, and beside him, her sweet mother, and there was Calvin, tall and straight and young, not arthritic and thin-haired as she last saw him. Outside her window, a squirrel hopped in graceful arcs across the leaves as it searched for something, food probably.

What she was trying to remember? Something. She went through her pants pocket and looked at the pieces of paper: a phone number with her name on it, a shopping list with chocolate at the top, a note to buy a birthday present for Calvin – his birthday was Halloween – but no, of course, he was dead.

The spirits were all around her; the memories had leaked out of her brain and into the hall under the lights, the faces of people she loved. Love, love, love was the answer.

“What was the question?” Calvin had wryly asked.

“What are we here for?” she replied. “What can save us?” she replied.

Calvin clapped his hands. “You answer your own question. You should be a teacher.”

She kissed him on the tip of his nose. “I am a teacher.”

He kissed her on the mouth and murmured, “Then you should be a judge – wait, I’m a judge.”

She remembered he was a judge, so maybe she did not have dementia. Her mother smiled and shrugged. “What does it matter what it’s called? We grow old, we grow old, we will never again be bold.”

“Mama, I will be bold.”

“That’s my baby! I’m proud of you.”

The squirrel scurried up the trunk of the oak tree. It had found what it needed.

The music snapped into focus. The voices inside her head and out in the hall sang together. It was a song about Barbara Allen that Calvin used to strum on the guitar. Her mother and father hummed along. Serena conducted with her hands as if it were band practice. How lovely it all sounded.

Issue 38 – Nonfiction

Visual Art


Beginning Nature Again: Joe Danciger’s Landscape Paintings
by Donald Kuspit

Light is everywhere, indeed, the sycamore seems made of light, giving it a ghostly aura.   The medium may not be all for Danciger—after all, he’s representing an external observed reality—as the modernist critic Clement Greenberg argued it is for an abstract painter, but he is clearly a master of it, as his vigorous painterliness indicates.

 

Book Reviews


Review of Colette Inez’s The Luba Poems
by Alexis Levitin

Fifty years ago, dining at the Eberharts in Hanover, New Hampshire, Robert Lowell leaned towards me like a stricken man and said, with painful gravity, “Macbeth is very, very dark. The only thing that saves it is the poetry.”

 


Review of Lee Slonimsky’s Red-Tailed Hawk on Wall Street
by David Beckman

How many poets plant their flag where Wall Street and poetry intersect? Wallace Stevens stood at a similarly unusual corner, that of the insurance business and poetry. But Stevens never attempted to capture his corporate geography in his poems.

 


Review of Lewis Turco’s The Hero Enkidu
by Miriam N. Kotzin

To say that Lewis Turco’s The Hero Enkidu is clever, is to understate its virtues both as a page-turner action story and as an accomplished poem

 

Issue 38 – Fiction


A Passport to the Old Country
by Cezarija Abartis

For Serena, it was like a radio station drifting in and out over another channel – voices disappeared under the dissonance, and the piano keys turned into hammering.

 


Natural History
by David Ackley

Three deer have come out in the open to feed in alfalfa along the pasture woods, across acres of new-mown ground from the boy at the barn window. The cuttings are stubbled and strewn with yellowish chaff. 

 


Olympia
by Richard Burgin

Lately, whenever I get up at night (for the usual reasons), I’ve gotten into the habit of writing down a line or two that spontaneously occurs to me as soon as I wake up.

 


The Swami
by George L. Chieffet

Fred Glower has the bad habit of rubbernecking beautiful women, but tonight he limits himself to one quick glance when his buddy Phil introduces Frankie Serrano-Sanchez.

 


Cowboys and Indians
by Donald Dewey

Playing with his plastic cowboys and Indians had relaxed Pfeiffer for more than 50 years.

 


Three Days Two Nights
by Barbara Westwood Diehl

In the deep end of the Satellite Motel pool after dark, after the children are asleep in sand-gritty sleeping bags on the efficiency floor, Frank and Trish hang on opposite walls and kick at the black water full of LED starlight.

 


Nocturne
by Okla Elliott

It would have been pleasant to spread out on the couch and read about changes in people, so she lingered, looking at herself in the mirror, hoping her husband would stop her.

 


Outside Wheeling
by Brandon Getz

Now, this third wife, breathing next to him in her naked sleep, what was her name anyway?  It rhymes with autumn, the way the leaves rustle before winter pushes its pale belly against the back of the Ohio Valley and the cold comes and the snow.

 


Tulips
by Josh Gray

My great aunt Elise, age eleven, walks through the streets of her ruined city carrying a basket of food. Dusk falls over Lyon, and Elise moves swiftly hoping to finish her errand before nightfall.

 


The Show
by Nicholas LaRocca

Mickey was fond of telling people, “I’m sixty-nine, so…” What followed was a justification: a man’s age can inspire a liberating perspective, that virtually all behavior is practical because the punishment, by pure mathematics, cannot be worse than the crime.  

 


The Husband and the Gypsy
by Lynn Levin

As it falls to many adult children these days, it was my duty—and particularly mine being an only child—to move my parents out of the home they’d lived in for the past forty years and into a retirement community.

 


Floating Out Into The Blue Night
by Maja Lukic

Lena closed her eyes, expecting darkness, but Dr. Novak's face was etched to the back of her eyelids, his mouth moving, the sound of his voice grainy like that of a doctor in a 1950s health documentary. Her eyes flew open again, and she stared straight into the sunlight.

 


Horses
by Anita Naughton

One Sunday, at dusk, just as we were having tea, four horseswandered through an open gate, and onto the railway tracks behind our house.

 


What We Talk About When We Talk About Parental Love
by Cannon Roberts

Steve paused the movie when Megan announced she still slept in the same bed as her father. He knew they wouldn’t be finishing the movie that night.

 

Issue 38 – Poetry


My Sister’s Last Gift
by Joe Benevento

Memories seem more fragile and so
authentic in black and white. 

 


School Year
by Joe Benevento

When a child, I understood the season
of dying coinciding with the start
of school.

 


How Poppies Grow
by Elizabeth J. Coleman

The last time I saw
his silhouette in that red-

 


One Way of Looking at Grace
by Elizabeth J. Coleman

For 150 million years birds saw
their reflections only in the sea,

 


Nudes
by Stephen Gibson

Richard Avedon
            The real shocker is the celebrity and not the nude.

 


Island
by Ernest Hilbert

Coffee did little to wake us since we arrived
On the volcano. We only wanted to sleep.

 


What I Did Not See Driving from Swansea
by Sarah Kennedy

Not the grave of Henry Vaughan, tombed
           by the yew at the top of that

tourists’ churchyard,

 


The Sheela-na-Gig at Llandrindod Wells
by Sarah Kennedy

In her glass coffin,
                                                she’s surrounded—

 


The Apprentice Pillar
by Sarah Kennedy

The legend of course involves great desire,
pursuit, a gift from God, predictable,
final violence.  

 


beloved 5
by Donald Kuspit

love rises like a phoenix

 


beloved 6
by Donald Kuspit

let us imagine
                       that we’re unimaginable,

 


beloved 7
by Donald Kuspit

agree to disagree
                     that mind unfold
its wings,

 


beloved 8
by Donald Kuspit

             the underbrush
of nuance
             unnecessary,

 


The Sign of Steel
by Salgado Maranhão. Translated by Alexis Levitin.

 


Zip Street Blues
by Salgado Maranhão. Translated by Alexis Levitin.

 


Moviement
by Salgado Maranhão. Translated by Alexis Levitin.

 


Letter to Daniel G. Hoffman
by John Ridland

There are dead poets I would never dare
               to write a letter to:
“Dear Mr. Frost?” “Dear Mr. Eliot?”

 


Mushrooms
by David R. Slavitt

The poison in a mushroom does it no good. 
It doesn’t know, nor does the fellow who eats it,
but he will find out.  

 


Pythagoras in Crisis
by Lee Slonimsky

It’s just a mood, perhaps, but he stands stunned,
the densest woods so asymmetrical:

 


Pythagoras’s Broken Abacus
by Lee Slonimsky

To disentangle chaos is his task
this morning in deep woods.  Secluded glade,
where birdsong is intense. 

 


Sheb Wooley
by R.T. Smith

Now I don’t care who hears me laughing,
content for the moment to be a yodeling fool

 


Sergeant John Ordway’s Journal, Last Entry
by R.T. Smith

                                                Looking back,
I am satisfied I saw enough for one mortal,
man, especially the devilish mosquitoes.

 


Summoning Japan
by Elaine Terranova

Instruction, what I sought. Not from the beginning as would require study, reading, deep thought, the string of something you follow until it’s exhausted, but no, only scatter shot.

 


Canto V: The Forest of Humbaba
by Lewis Turco

Issue 38

Winter 2015

Per Contra Winter 2015

Issue 38 Cover Art by Peter Groesbeck