For Official Use Only

by Charles Rafferty

Marcus saw the station wagon pull away from the shoulder of Route 25, leaving behind a pile of fresh flowers in the snow. He was on his way to meet Trisha at her apartment. Trisha had separated from her husband, and a mutual friend had introduced them. Though they had met for an afternoon coffee two days before, this was their first real date.

The flowers were part of a roadside memorial. Someone had died there, and they had a lot of friends, a large and Waltons-like family. Marcus could tell this by the variety of bouquets and stuffed animals, the many tire tracks traced into the snow-covered grass.

Marcus made a snap decision. He hooked a left into one of those U-turns they have for cops and firetrucks. He saw the sign for official use only and he ignored it. He accelerated and took another illegal U-turn a mile up the road, and then he was headed back to the memorial, fitting himself into the tracks where the other cars had been.

He was out of the car for less than a minute as the traffic sped by, the drivers probably thinking he was one of the grievers, that he was saying some kind of prayer as he picked out the freshest and most durable of the flowers. And then he was back on the road, with an armload of calla lilies and orange mums. The whole thing was barely a hiccup. He wouldn't even be late.

People give Marcus a funny look when he tells them all this, but he doesn't see anything wrong with it. Those flowers weren't doing David any good out there on the highway, he says. That was his name. Marcus saw it written in red spangles on several of the wire hearts. Apparently David was somebody's husband, and his wife wasn't ready to let him go. Marcus reasoned that the flowers would be destroyed the next day. Another storm was coming, and the plow would surely cover them as it scraped its way towards Bridgeport. David's friends and family had built the memorial too close to the shoulder. Marcus thought it might be on the very spot where David had died. Or perhaps they had lost all foresight in their time of flowers and snow. Either way, Marcus says, he didn't take them all.

When Marcus showed up at Trisha's door, she was surprised. No one had ever brought her flowers. She invited him in for a pre-dinner drink, but it was already clear to Marcus that they'd never make it to their reservation. The flowers had something to do with it.

Marcus liked the look of her as she stretched for a couple of highball glasses on the top shelf, and Trisha liked that he didn't turn away as her shirt rode up, exposing the small of her back. She held each glass up to the light, then ran them under the faucet to get rid of the dust. Their fingers brushed when she handed him the drink, and they ended up undressing each other right there in the kitchen. Marcus kept thinking the husband might walk in through the front door, but from the sound of things, Trisha hadn't considered the possibility. Afterward, they lay in a heap on the cold linoleum, laughing together, a little embarrassed. They decided to have Thai food delivered.

Later, when Trisha fell asleep in the bed, Marcus pulled the newspaper from the basket beside her toilet. He found David's obituary and the write-up in the police blotter. Killed by a drunk was the main message. The drunk was fine, naturally. He sounded like Marcus — the same age, the same penchant for driving when the bar had closed. Marcus came out of the bathroom and made his way to the kitchen through the dark. He proceeded by a series of tiny steps, afraid that he might bump into something. He found the vodka bottle and poured himself a drink. He downed it while standing over the dripping kitchen faucet.

Less than two weeks later, Trisha and Marcus were finished. They had run their course. They had had sex in a variety of locations and positions — a movie theater, a Safeway parking lot, in every room of their two apartments. Trisha found out that he was allergic to shrimp and preferred tragedies to comedies. Marcus found out that she was still in love with her husband and didn't have a washing machine.

They parted ways. Marcus remained the only man who had ever brought her flowers, and a snowplow destroyed the roadside memorial, as Marcus had predicted.

Shadow

by Charles Rafferty

Darkness that is me,
recognizable
only in profile, you
 
try on surfaces
and all of them fit — even
other people,
 
even the creek
as it rushes
to get away. You need
 
only light
to leap into being:
a cigarette match,
 
the bare bulb
of an interrogation room.
Even a camera
 
flash confirms you.
They all contrive
the same
 
darkness, the same
mystery
we cast and carry
 
like a suitcase
we can't put down
or even open
 
to tell what we have
taken with us —
without effort
 
or choice —
into the night
that swallows us.

Summer 1985

by Charles Rafferty

That was the season I wrote everything in Lucida, instead of Times New Roman. There were no planets in the sky whenever I thought to look for them, and I kept in my wallet a picture of the girl I thought I'd marry behind a picture of the girl I was with. By July, the caterpillars had eaten every tree in town, but they releafed in August, and it was strange to see that shade of new green edging the backyard thunderstorms. I looked through a bell of cheap chardonnay and saw the world distorted, exactly as it was. At some point, I chipped my tooth on a peach pit but didn't have the money to fix it. It's at home on me now — like the scar from my smallpox vaccination, or the sweater I kept by accident after a host had loaned it to me when he learned that I was cold.